Self Publishing

Every single part of self publishing takes longer than you would expect. I thought I’d have the paperback of Bloodharvest up weeks ago.

I submitted the manuscript to Amazon and got a proof. It looked fine. Not great, not terrible, it was fine. Wanting something a little better than fine, I shopped around for someone to do layout. I found someone (I’m going to put his contact information up in the Books page when I’ve got everything done) who did a full layout, but it took a few weeks including both work and searching through samples. He was great. After reading through the layout for the paperback, I realized it was much, much better than the ebook layout, so I took his recommendation for an ebook layout service and contracted them. They said by the end of next week or the beginning of the one after, they’ll have my layout done.

Meanwhile I resubmitted the paperback and found that the revision resulted in some cover bleed. The number of pages changed, so now the cover doesn’t quite fit. No worries. My cover designer (also to be revealed when all the books are ready) said she was more than happy to fix things. It’s just a scaling issue. Her schedule allows her to take care of it next week.

So next week, or maybe the week after, I’ll have a paperback and an ebook with the improved interior up on Amazon. Unless something else comes up.

OTOH, I had a complete surreal moment holding my proof. It’s signed and dated, the first of my fiction to be printed, and it’s on my desk. It’s almost done. I just need some text shrunk, and it will go live on Amazon. Concurrently the ebook should be sent back, and that will go live too. They’re both vastly better than what I could have done myself.

I wrestled with that for a while. Your humble narrator is not rolling in money, and layout is not cheap.

But it’s worth it. The product is just better. And while it’s all well and good to trumpet things aren’t people and we shouldn’t care too much, creating something like this, a book of my words and my ideas, is a reflection of me.

Poetry 3

I’ve gone this far and not mentioned one of my all time favorite pieces of poetry.

Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in halls of stone,
Nine for Mortal Men, doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.
One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them.
In the Land of Mordor where the Shadows lie.

~JRRT

I like that immensely.

First of course is the lore. That bit of lyricism as a part of T’s immense lore and worldbuilding adds depth that cannot be achieved any other way. The awesome thing about this poem is that the three elvish rings aren’t just interesting bits of imagery, but there’s story there. There’s history. The Nine for mortal men mean something. The short poem is thus a lot deeper, and when you read it with some knowledge of T’s work, there’s a lot of stuff and connections there.

Second is the simple scheme, even meter, and imagery itself. There’s no barrier to understanding in unnecessary complexity. The Dark Lord on his dark throne is a great picture, not just physically, big dude on evil looking throne, but emotionally. I get a feeling from that. Mordor where the Shadows lie: yeah, let’s party.

The Second Coming

So another piece of fantastic poetry is one of my all-time favorites, one I couldn’t get out of my head when I went through Basic years ago. The Second Coming by Yeats.

The Second Coming is relatively famous for its apocalyptic imagery and setting. The first stanza is simply amazing. I tend to liken it to modern day Twitter, because the reasonable people don’t get much coverage and the absurd do. Some of this is reasonable itself. We don’t write news stories about planes that land safely. But it leaves one with a certain impression of the world that leads to despair.

Bad Guys

I worry the villians aren’t enough. Since most of my stuff is written within the perspective of the heroes, it’s easy to make weak villians who don’t bring the fear. What is my villians aren’t sinister enough? Can I amp them in some way? Can I just make sure they’re actual forces of antagonism and not just annoyances? Basically, are they bad, I mean really bad, or just kinda there?

I hope they’re okay.

AO3 Hit Count Game

A game I play is tying the hit counts on my AO3 page to historical meaning. Right now we’re at 1666, the second year of the Great Plague of London, which was the last major outbreak of plague, bubonic and pneumonic, on the way to the end of the epidemic in 1750. Roughly 100k people died in London over two years, which is ghastly and tiny compared to how many people died of it earlier. Plague outbreaks would continue for almost another century, and in the modern day a few people die of it every year. Some epidemic pathologists think there may be a cell in the American Southwest, New Mexico, Arizona, possibly Utah, Nevada, and Colorado, and we do have a few fatalities most years.

USWNT

Congratulations, US Women. Well done.

If the price of leadership is endless attempts to tear you down, it’s one I understand some people being unwiling to pay. But I admire those who do. Utmost respect to the women who paid it in France, and those who came reaching for the same heights. Congratulations to all competitors.

Editing

I think the real purpose of editing is staring at the manuscript after it’s away and instantly realizing all the things I could improve. Things I never saw before after months/years of poring over the text are brutally obvious now.